Mission Street
Jeanne Wagner

Mission Street

Because light is a constant reappraisal of form,
the streets are always in transition,
house fronts flooding with noon
like vertical sundials or the wide open
faces of children,
their songs a secret game of brightness
and shadow,
like the moods of the shops
with their doors ajar,
then nightly shuttered and barred,
because darkness wedges itself
between the boards
of vanishing days,
though you dream of a staircase
leading down
to an inflorescent yard,
and of the shops themselves
with their aromas of onion, coriander,
mangoes and tea,
of everything that relishes
its own self-ripening,
like the body when it turns into a map
of the streets,
where an X says you are here but also
you were there,
evenings walking on the last guttering
green of the park
or sitting on your own stoop,
watching the sidewalk
gradually cool, then realizing
you’ve fallen in love
with its smell of candy and ash.

Jeanne Wagner

has contributed to Cincinnati Review, Alaska Quarterly Review, Florida Review, North American Review, and Southern Review. She has four chapbooks and three full-length collections: The Zen Piano-Mover, winner of the Stevens Manuscript Prize; In the Body of Our Lives from Sixteen Rivers Press; and Everything Turns Into Something Else, published in 2020 as runner-up for the Grayson Book Prize.